film grain: this is normally primarily based on ISO – as in virtual images, in which high ISO pace effects in photo noise, better film pace normally results in more movie grain. this is appropriate for some photographs i.e. if you‘re trying to get a gritty street image and many others. however could now not paintings with a landscape with sky and water in whichyou are seeking out clean easy textures. some sorts of film genuinely cope with grain higher than others, so this is whereusing films and seeing actual consequences enables more than just analyzing approximately the theory. for instance, Kodak Ektar is supposedly the finest grain coloration film within the global! Having used each Ektar (ISO a hundred) and Fuji Reala (ISO 100), I actually can’t spot the distinction among the two. but, the usage of a black and white Kodak Tri-X four hundred, and compared to a Kodak T-Max 400, I locate the Tri-X to be exceedingly grainier than the T-Max. but like I said, some grain will intensify a photograph, and improve it…do not be terrified of grain.
colour saturation: obviously applying handiest to shade film, some film has the tendency to over-saturate and providesynthetic, fake colorings – some films supply beautifully herbal shades, saturated just right, and a few even have a barelylaid returned appearance to it that appears notable. Of route, a few look flat and stupid – you may appropriately keep away from this sort of film if you experience it is flat. In black and white movie too, the tones of the grays vary with everymovie – some have harsh tones, and infrequently show any definition among black and white, whilst some have adorablegrey mid-tones, and others have a fantastic silvery appearance to the grays.
assessment: yes, contrast varies too. To me, this is especially sizeable and important in black and white movie. I decide upon my black and white movie to have a medium to high contrast – low comparison would not work for me, despite the fact that i’ve visible superb assistir filmes examples of low evaluation black and white shots. So again, experiment!
From the distinctive varieties of film i’ve used (i’ve been sticking to negatives), here are a few traits that i have cited:
Fuji Superia/Superia X-Tra (two hundred, 400): my fashionable shade film. reasonably-priced, reliable, very good. i really like the colors on this. now not too contrasty, no longer very saturated… in truth i’d say the colours are slightly laid returned. Grain is first-class, and for ISO 400, i’d never call it grainy. For random coloration shots, and mainly to test new cameras/lenses, this is my pass-to movie.
Fuji Reala (a hundred): a expert grade movie, that is one of the greatest grain movies i have used. colorings are extrasaturated than the Superia, however now not too. pretty contrasty, and once more, beautiful high-quality grain. likely my favored C41 movie.
Kodak Ektar (one hundred): every other professional grade coloration film. i would say the grain is as fine as the Reala, even though Kodak claims this to have grain finer than any other! superb colours too, and quality contrast. like the Reala, i would use this for landscapes, and keep away from pics – this kind of saturation isn’t very flattering for skin.